• Home
  • Search
  • Browse Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content
Digital Commons@DePaul DePaul University
  • Home
  • About
  • FAQ
  • My Account

Home > LAS > LAS Departments and Programs > Art, Media, and Design > Asian American Art Oral History Project > Asian American Oral Hist. Gallery

Asian American Art Oral History Project Gallery

Featuring the works of artists who have participated in the DePaul University Asian American Art Oral History Project.

2016 AAAOH Artists - please upload your images using the "Submit Research" link on the left hand side of this screen.



The full archive of the Asian American Art Oral History Project is held is DePaul University’s Special Collections and Archives Department 2350 North Kenmore Avenue 2nd floor, Chicago, IL 60614 . For more information contact us at 773-325-7864, or archives@depaul.edu

Printing is not supported at the primary Gallery Thumbnail page. Please first navigate to a specific Image before printing.

Follow

Switch View to List View Slideshow
 
  • Lake STreet USA - Lake St. & 10th Ave. by Wing Young Huie

    Lake STreet USA - Lake St. & 10th Ave.

    Wing Young Huie

    Lake Street USA Installation View, Minneapolis, MN (1997-2000)

    Lake Street USA "The inner-city neighborhoods of Minneapolis are all connected by one major vein, Lake Street. In 2000, photographer Huie used this stretch of pocked pavement and diverse communities as both a subject and a frame for a massive documentary project. For four years he photographed the people and cityscape of the street, not shying away from the poverty, the play, and the variety of human characters he found along the way. He then placed the photographs along a six-mile section of Lake Street in one of the largest public art projects the city has seen. This book reproduces 500 of the 675 black-and-white photographs Huie used in his show along with an interview with Huie by Louis Mazza of the Walker Art Center and short texts quoting some of the subjects. These are brave photographs of people moving through what look like difficult lives lived as well as can be, and Huie remains faithful to the diversity of the city and the reality of his subjects' lives." - Library Journal (Copyright 2002 Cahners Business Information, Inc.)

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h42e90c0e

  • Lake STreet USA - Lake St. & 5th Ave. by Wing Young Huie

    Lake STreet USA - Lake St. & 5th Ave.

    Wing Young Huie

    Lake Street USA Installation View, Minneapolis, MN (1997-2000)

    Lake Street USA "The inner-city neighborhoods of Minneapolis are all connected by one major vein, Lake Street. In 2000, photographer Huie used this stretch of pocked pavement and diverse communities as both a subject and a frame for a massive documentary project. For four years he photographed the people and cityscape of the street, not shying away from the poverty, the play, and the variety of human characters he found along the way. He then placed the photographs along a six-mile section of Lake Street in one of the largest public art projects the city has seen. This book reproduces 500 of the 675 black-and-white photographs Huie used in his show along with an interview with Huie by Louis Mazza of the Walker Art Center and short texts quoting some of the subjects. These are brave photographs of people moving through what look like difficult lives lived as well as can be, and Huie remains faithful to the diversity of the city and the reality of his subjects' lives." - Library Journal (Copyright 2002 Cahners Business Information, Inc.)

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h42e90c0e

  • Lake STreet USA - Lake St. & Chicago Ave. by Wing Young Huie

    Lake STreet USA - Lake St. & Chicago Ave.

    Wing Young Huie

    Lake Street USA Installation View, Minneapolis, MN (1997-2000)

    Lake Street USA "The inner-city neighborhoods of Minneapolis are all connected by one major vein, Lake Street. In 2000, photographer Huie used this stretch of pocked pavement and diverse communities as both a subject and a frame for a massive documentary project. For four years he photographed the people and cityscape of the street, not shying away from the poverty, the play, and the variety of human characters he found along the way. He then placed the photographs along a six-mile section of Lake Street in one of the largest public art projects the city has seen. This book reproduces 500 of the 675 black-and-white photographs Huie used in his show along with an interview with Huie by Louis Mazza of the Walker Art Center and short texts quoting some of the subjects. These are brave photographs of people moving through what look like difficult lives lived as well as can be, and Huie remains faithful to the diversity of the city and the reality of his subjects' lives." - Library Journal (Copyright 2002 Cahners Business Information, Inc.)

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h42e90c0e

  • Looking for Asian America - Bar, Chinatown, San Francisco by Wing Young Huie

    Looking for Asian America - Bar, Chinatown, San Francisco

    Wing Young Huie

    Looking For Asian America: An Ethnocentric Tour (2001-2002)

    Looking For Asian America: An Ethnocentric Tour From one of the United States' most diverse areas (Hilo, Hawaii) to its least (Slope, North Dakota), Huie and his wife Tara spent nine months traveling through 39 states on an "ethnocentric" tour of their homeland. Some of the sights include a Vietnamese Elvis, a Hmong enclave in rural North Carolina, a meditating Falun Gong protestor in front of the Washington Monument, a bubble tea valley girl, ABCs (American-born Chinese), FOAs (fresh-off-the-airplane), and a self-described red-neck Chinese restaurant owner near the Okefenokee Swamp. The result is an idiosyncratic and personal odyssey through an America where Asians, particularly Chinese, happen to be in the majority.

    "I am the youngest of six and the only child not born in China. For most of my life I've looked at my own Chinese-ness through a white, middle-class prism. Outside of my family, people who looked like me were hard to find in Duluth, Minnesota, or in the popular culture I embraced. My mom made me pray to Buddha every New Year, but it was Jesus Christ Superstar who became my cultural touchstone. At times my own parents seemed exotic and yes, foreign, to me.

    They also became my first photographic subjects. Twenty-five years later I embarked on a nine-month, cross-country odyssey, with a distinct awareness of being a hyphenated American. It was refreshing to look at my home country through my particular bi-focal ethnocentric lens and see the exotic as familiar, and vice-versa. What I found was a place that exists mostly under the prevailing cultural radar, but is as American as Buddha bars, Bruce Lee dolls, and chop suey." -Wing Huie

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h2a71520a

  • Looking for Asian America - California Coast by Wing Young Huie

    Looking for Asian America - California Coast

    Wing Young Huie

    Looking For Asian America: An Ethnocentric Tour (2001-2002)

    Looking For Asian America: An Ethnocentric Tour From one of the United States' most diverse areas (Hilo, Hawaii) to its least (Slope, North Dakota), Huie and his wife Tara spent nine months traveling through 39 states on an "ethnocentric" tour of their homeland. Some of the sights include a Vietnamese Elvis, a Hmong enclave in rural North Carolina, a meditating Falun Gong protestor in front of the Washington Monument, a bubble tea valley girl, ABCs (American-born Chinese), FOAs (fresh-off-the-airplane), and a self-described red-neck Chinese restaurant owner near the Okefenokee Swamp. The result is an idiosyncratic and personal odyssey through an America where Asians, particularly Chinese, happen to be in the majority.

    "I am the youngest of six and the only child not born in China. For most of my life I've looked at my own Chinese-ness through a white, middle-class prism. Outside of my family, people who looked like me were hard to find in Duluth, Minnesota, or in the popular culture I embraced. My mom made me pray to Buddha every New Year, but it was Jesus Christ Superstar who became my cultural touchstone. At times my own parents seemed exotic and yes, foreign, to me.

    They also became my first photographic subjects. Twenty-five years later I embarked on a nine-month, cross-country odyssey, with a distinct awareness of being a hyphenated American. It was refreshing to look at my home country through my particular bi-focal ethnocentric lens and see the exotic as familiar, and vice-versa. What I found was a place that exists mostly under the prevailing cultural radar, but is as American as Buddha bars, Bruce Lee dolls, and chop suey." -Wing Huie

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h2a71520a

  • Looking for Asian America - Death Valley, California by Wing Young Huie

    Looking for Asian America - Death Valley, California

    Wing Young Huie

    Looking For Asian America: An Ethnocentric Tour (2001-2002)

    Looking For Asian America: An Ethnocentric Tour From one of the United States' most diverse areas (Hilo, Hawaii) to its least (Slope, North Dakota), Huie and his wife Tara spent nine months traveling through 39 states on an "ethnocentric" tour of their homeland. Some of the sights include a Vietnamese Elvis, a Hmong enclave in rural North Carolina, a meditating Falun Gong protestor in front of the Washington Monument, a bubble tea valley girl, ABCs (American-born Chinese), FOAs (fresh-off-the-airplane), and a self-described red-neck Chinese restaurant owner near the Okefenokee Swamp. The result is an idiosyncratic and personal odyssey through an America where Asians, particularly Chinese, happen to be in the majority.

    "I am the youngest of six and the only child not born in China. For most of my life I've looked at my own Chinese-ness through a white, middle-class prism. Outside of my family, people who looked like me were hard to find in Duluth, Minnesota, or in the popular culture I embraced. My mom made me pray to Buddha every New Year, but it was Jesus Christ Superstar who became my cultural touchstone. At times my own parents seemed exotic and yes, foreign, to me.

    They also became my first photographic subjects. Twenty-five years later I embarked on a nine-month, cross-country odyssey, with a distinct awareness of being a hyphenated American. It was refreshing to look at my home country through my particular bi-focal ethnocentric lens and see the exotic as familiar, and vice-versa. What I found was a place that exists mostly under the prevailing cultural radar, but is as American as Buddha bars, Bruce Lee dolls, and chop suey." -Wing Huie

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h2a71520a

  • Looking for Asian America - Henry, Houston, Texas by Wing Young Huie

    Looking for Asian America - Henry, Houston, Texas

    Wing Young Huie

    Looking For Asian America: An Ethnocentric Tour (2001-2002)

    Looking For Asian America: An Ethnocentric Tour From one of the United States' most diverse areas (Hilo, Hawaii) to its least (Slope, North Dakota), Huie and his wife Tara spent nine months traveling through 39 states on an "ethnocentric" tour of their homeland. Some of the sights include a Vietnamese Elvis, a Hmong enclave in rural North Carolina, a meditating Falun Gong protestor in front of the Washington Monument, a bubble tea valley girl, ABCs (American-born Chinese), FOAs (fresh-off-the-airplane), and a self-described red-neck Chinese restaurant owner near the Okefenokee Swamp. The result is an idiosyncratic and personal odyssey through an America where Asians, particularly Chinese, happen to be in the majority.

    "I am the youngest of six and the only child not born in China. For most of my life I've looked at my own Chinese-ness through a white, middle-class prism. Outside of my family, people who looked like me were hard to find in Duluth, Minnesota, or in the popular culture I embraced. My mom made me pray to Buddha every New Year, but it was Jesus Christ Superstar who became my cultural touchstone. At times my own parents seemed exotic and yes, foreign, to me.

    They also became my first photographic subjects. Twenty-five years later I embarked on a nine-month, cross-country odyssey, with a distinct awareness of being a hyphenated American. It was refreshing to look at my home country through my particular bi-focal ethnocentric lens and see the exotic as familiar, and vice-versa. What I found was a place that exists mostly under the prevailing cultural radar, but is as American as Buddha bars, Bruce Lee dolls, and chop suey." -Wing Huie

    See: http://photos.wingyounghuie.com/p269695281/h397b6121#h2a71520a

  • Miss Congeniality, Chinatown, San Francisco, CA by Wing Young Huie

    Miss Congeniality, Chinatown, San Francisco, CA

    Wing Young Huie

    Title: Miss Congeniality, Chinatown, San Francisco, CA

    Project: Looking For Asian America: An Ethnocentric Tour (2001 – 2002)

 

Page 52 of 55

  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
 
 

Search

Advanced Search
Search Tips

  • Notify me via email or RSS

Login and Notify

  • Register/Login
  • Notify me via email or RSS

About The Commons

  • Home
  • General Information/Policies
  • FAQs
  • University Library Homepage

Browse

  • Collections
  • Disciplines
  • Authors
  • Subjects

Author Corner

  • Author FAQ
  • Submit Research

At A Glance

  • Top 10 Downloads of All Time
  • 20 most recent additions
  • Activity by year

Gallery Locations

  • View gallery on map
  • View gallery in Google Earth
 
Elsevier - Digital Commons

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright