![College of Law](../../assets/md5images/3fe13fb54d61a19efd85e98d13eca9a0.png)
Document Type
Article
Publication Date
March 2009
Abstract
This article examines an important and timely issue involving the extent of copyright protection for stage directions. The recent lawsuits involving the regional productions of the Broadway hit "Urinetown" indicate that stage directors and their union, the Society of Stage Directors and Choreographers, are going to continue to press the courts and the Copyright Office for greater protection of what they perceive as their unique creative contribution to the theatrical arts. This article explores a myriad of issues related to copyright protection for stage directions and discusses copyrightable subject matter, copyright ownership, infringement, defenses to infringement, and other possible legal theories for protection of stage directions. It concludes that although stage directions are clearly copyrightable expression, the extent of copyright protection will necessarily be narrow because of doctrines such as scenes a faire and merger.
Recommended Citation
Margit Livingston, Inspiration or Imitation: Copyright Protection for Stage Directions, 50 B.C. L. Rev. 427, 488 (2009)