Bio: A native of Delhi, India where he studied printmaking and painting at the College of Art; Shaurya Kumar graduated with his MFA from the University of Tennessee, Knoxville in 2007. Since 2001, Kumar has been involved in numerous prestigious research projects, like “The Paintings of India” (a series of 26 documentary films on the painting tradition of India); "Handmade in India" (an encyclopedia on the handicraft traditions of India); and digital restorations of 6th century Buddhist mural paintings from the caves of Ajanta. Kumar’s research is focused on creating works which appreciate and appropriate new media while highlighting the dangers of its longevity; and the disconnect between the virtual and the real. His work is an investigation of art and technology, and the rift that lies between. Ultimately, his work is a dialogue about site, how site effects and affects data and therefore a society, a culture, a people and ultimately a person. Kumar's work has been showcased in numerous national and international exhibitions across the US and in countries including India, China, Poland, South Korea, Thailand, Belgium, Bulgaria, Italy, U.K., Norway, France, Australia and Finland among many others. His works have been installed at venues including the Dr. Bhau Daji Lad Museum (formerly Victoria & Albert Museum, Mumbai); UNM Art Museum, Albuquerque; SCA Contemporary, Albuquerque; Queens Museum, NYC; Seoul Museum of Art, Seoul; Lakeeren Gallery, Mumbai; New Art Center, NYC; Los Angeles Center for Digital Arts, Los Angeles, CA; Museum of Fine Arts, Georgia; Schneider Museum of Art, Oregon; Charleston Heights Art Center, Las Vegas among many others. Kumar currently lives and works in Chicago, IL where he also teaches in the Department of Printmedia at the School of the Art Institute of Chicago.
Patel, Tejas, "Shaurya Kumar Interview" (2016). Asian American Art Oral History Project. 82.